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Chorus singers, 25 March 2017


Walter Carroll Lunchtime Concerts: Oriental Breeze

13:10 - 14:00 27 September 2018

Manchester-based Chinese music ensemble, Oriental Breeze, consists of members from the local Chinese community and is one of the largest of its kind in the UK. Enjoy the charm of traditional Chinese music with many of the most popular Chinese pieces, such as Jasmine, Beijing melody and many more classics. Price: FREE

Manchester University Music Society: Welcome Concert

17:00 - 19:00 30 September 2018

Programme to include: Poulenc Gloria Farrenc Overture in E minor Ibert Flute Concerto Join us for the first Music Society concert of the academic year, featuring three contrasting French works. We introduce our newest music students in Poulenc’s eclectic Gloria, followed by Louise Farrenc’s (1834) overture, transitioning classical an..

Walter Carroll Lunchtime Concerts: Quatuor Danel with Michelle Assay (piano)

13:10 - 14:00 04 October 2018

In the last years of Stalin’s regime, composers in Russia and the eastern bloc were exhorted to compose music ‘for the people’. In Poland Lutoslawski responded with a folklike series of piano pieces, which he later arranged for viola and cello, while in Russia the ailing Myaskovsky, once dubbed ‘the conscience of Soviet music’ compos..

Quatuor Danel Evening Concert with Richard Whalley (piano)

19:30 - 21:00 05 October 2018

The Danels begin their late-Schubert survey with the bitter-sweet ‘Rosamunde’ named after its slow movement’s variations on incidental music to a play of that name. The Second Piano Quintet by Poland’s Gra?yna Bacewicz blends with neoclassicism with modernist adventure, and the concert opens with the genial Serenade by Romanus Hoffstet..

Literature Live: Maura Dooley and Finuala Dowling

19:30 - 21:00 08 October 2018

Join us for an evening of witty, compassionate and thought-provoking poetry. South African poet Finuala Dowling, well regarded as an inventive sketcher of the domestic sublime, performs work from her new Bloodaxe collection Pretend You Don’t Know Me, a compilation of the best of her four previous prize-winning collections alongside new wor..

Walter Carroll Lunchtime Concerts: Jonathan Aasgaard plays Weinberg

13:10 - 14:00 11 October 2018

Weinberg loved the cello - it was clearly a vehicle with which he could express his innermost feelings and thoughts. Jonathan Aasgaard, a longstanding fan of his music, is delighted to present a selection of his music for solo cello. Price: FREE Weinberg 5 preludes op 100 Britten Suite no 1 op 72 Weinberg Sonata no 1 op 72

Baroque Orchestra The Majesty of Versailles: Court and Theatre Music from Baroque France

15:30 - 17:00 14 October 2018

As the culmination of a two-day intensive workshop on historically informed performance, guided by Peter Holman MBE, co-founder of The Parley of Instruments, together with Baroque strings specialist Judy Tarling, members of The University of Manchester Baroque Orchestra treat us to an exploration of the rich and varied repertory of late sevent..

Walter Carroll Lunchtime Concerts: The Art of Touching the Keyboard

13:10 - 14:00 18 October 2018

Touch and movement (encapsulated by Judith Weir’s apt title) characterise this programme of short late twentieth century classics, plus the UK première of Richard Whalley’s recent Kinderszenen. Judith Weir The Art of Touching the Keyboard John Adams China Gates Helmut Lachenmann Guero Toru Takemitsu Les Yeux Clos II Richard Wha..

Manchester University Music Society: Ensemble Sounds in the Twentieth Century

13:10 - 14:00 19 October 2018

Three works composed between 1922-34 reveal the varied nature of early twentieth-century chamber music, using imaginative forces to evoke new timbres and characters. Contrastingly, Gloria Coates treats that most familiar of ensembles, the string quartet, in a more contemporary idiom. FREE

Manchester University Music Society: Symphony Orchestra

19:30 - 21:00 20 October 2018

Programme to Include: Rachmaninoff The Isle of the Dead Will Frampton Special Commission Tchaikovsky Symphony No. 5 Böcklin’s 1884 painting ‘The Isle of the Dead’ inspired Rachmaninoff’s extraordinary work, featuring one of the most sinister openings in any orchestral repertoire. Postgraduate composer, Will Frampton, explores a..