The Use Value of Genius. Berkeley: University of California Press. C.F.B. Miller, 2021.
The Life of Lambert Lombard (1565);
and, Effigies of Several Famous Painters from the Low Countries (1572) Edward Wouk, trans. and ed., Dominicus Lampsonius, 2021.
Like a Lake
A story of uneasy love and photography. Carol Mavor, 2020.
Terracciano, Emilia. Shoestring, 2019.
Netherlandish Art History in the Long Nineteenth Century.
Bulletin of the John Rylands Library:
Special Issue: Foreign Bodies: Neighbours, Strangers, Monsters.
Dunlop, A & Warr, C (eds) 2019.
The Man from the Future?', Visual Culture in Britain, vol. 19, no. 3, pp. 285-406.
Trodd, C & Whittaker, J (eds) 2018
Frans Floris (1519/20–1570):
Imagining a Northern Renaissance.
Wouk, Edward H. Brill, 2018.
Art and Emergency:
Modernism in Twentieth-Century India
Terracciano, Emilia. I.B. Tauris, 2018.
Washington D.C: Smithsonian American Art Museum. Luke Skrebowski, John Jacob, and Trevor Paglen, 2018
Vol 7 no.2, MIT Press. Luke Skrebowski, 2018
Art and Literature Through the Mouth of the Fairytale.Mavor, Carol. Reaktion Books, 2017.
Marcantonio Raimondi, Raphael
and the Image Multiplied.
Wouk, Edward H. Manchester University Press, 2016.
Prints in Translation, 1450–1750:
Image, Materiality, Space.
Edited by Karr Schmidt, Suzanne., Wouk, Edward H. Routledge, 2016.
Bulletin of the John Rylands Library:
Investigating Marcantonio Raimondi.
Volume 92, Number 2, Autumn 2016.
Iron, Ornament and Architecture
in Victorian Britain: Myth and Modernity, Excess and Enchantment.
Dobraszczyk, Paul. Routledge, 2014.
Museums and Restitution:
New Practices, New Approaches.
Arvantis, Kostas; Tythacott, Louise (eds.). Routledge, 2014.
Wounds in the Middle Ages
Kirkham, Anne; Warr, Cordelia. Routledge, 2014.
Coral: Something Rich and Strange
Endt-Jones, Marion (ed.). Liverpool University Press, 2013.
Simulating the Marvellous:
Psychology, Surrealism, Postmodernism.
Lomas, David (with Stubbs, Jeremy). Manchester University Press, 2013.
Blue Mythologies: Reflections on a Colour
Mavor, Carol. Reaktion Books, 2013.
Stirling and Gowan:
Architecture from Austerity to Affluence.
Crinson, Mark. Yale University Press, 2012.
Black and Blue:
The Bruising Passion of Camera Lucida, La Jetee, Sans Soleil, and Hiroshima Mon Amour.
Mavor, Carol. Duke University Press, 2012.
The Politics and Practices of Visiting and Viewing.
Rees Leahy, Helen. Routledge, 2012.
Visions of Blake:
William Blake in the Art World 1830-1930.
Trodd, Colin. Liverpool University Press, 2012.
The New Hollstein:
Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1650, Frans Floris de Vriendt.
Wouk, Edward; Luijten, Ger (ed.). Ouderkerk aan den Ijssel: Sound & Vision, 2011.
Aesthetics and Contemporary Art
Armen Avanessian and Luke Skrebowski
Curating exhibitions, displays and installations
- The Manchester Together Archive Team (Amanda Wallace and Jenny Marsden from Manchester Art Gallery; Larysa Bolton from Archives+; and Kostas Arvanitis from University of Manchester) were awarded the "Working Together for Manchester" Award in the "Awards for Excellence 2019" of the Manchester City Council
- The Routledge book version of the AFS special issue, "Archives and New Modes of Feminist Research" (32.91-92) (where Jenna Ashton has published an article) has been awarded the 2018 Mander Jones Award from the Australian Society of Archivists.
- Mark Crinson has won the Historians of British Art Prize (2014) in the post-1800 category for his book Stirling and Gowan: Architecture from Austerity to Affluence (Yale University Press). The prize is awarded by the Historians of British Art, an affiliated society of the College Art Association (USA).
- Charlie Miller won the 2012 Phillips Book Prize for his manuscript Radical Picasso: Surrealism and the Theory of the Avant-Garde. This highly prestigious prize is offered by the Phillips Collection in Washington DC and includes a generous subvention for publication of the book by California University Press.
- Edward Wouk won the Wolfgang-Ratjen-Preis (Zentralinstitut für Kunstgeschichte, Munich, 2012) for The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1650. Frans Floris de Vriendt, ed. Ger Luijten, 2 vols., Ouderkerk aan den Ijssel, 2011.