Researching Digital Cultural Heritage - International Conference
Manchester, 30 November - 1 December 2017
Registration is open (closes Wednesday, 15 November 2017)
Provisional Programme (as of 25 Sept 2017)
Abstracts and Biographies
Please note that we are also organising a pre-conference digital heritage research methodology workshop on Wednesday, 29 November. This targets PhD students, but some places will be made available to other conference attendees too. More information will be available early October 2017.
Call for papers (closed)
Digital tools, approaches, platforms and experiences have become ubiquitous within cultural heritage research and practice. The diverse facets of heritage that lend themselves to both multi/interdisciplinary and focused disciplinary investigation have made heritage a fertile ground for an abundance of methodological explorations: analogue, digital and hybrid. More recently, a range of digitally mediated frameworks, methods and tools, such as data mining, crowdsourcing, social network analysis, visual analysis, sentiment analysis and research-through-design have been adopted in heritage research challenging, expanding, re-defining and re-imaging the questions, methodologies and analytical approaches we are able to tackle. Although the resurgence of digital approaches within heritage and museum studies triggered the creation of the term Digital (Cultural) Heritage in the late 1990s, the reciprocal relationship between digital research methodologies and heritage and how they interface and shape each other has attracted limited critical attention and interest so far. However, in other fields the convergence of digital and academic research has led to the emergence of new disciplinary areas such as Digital Anthropology (Horst and Miller, 2012) and Digital Sociology (Orton-Johnson and Prior, 2013), the articulation of new ways of practicing research, e.g. Digital Ethnography (Pink et al, 2016) and Netnography (Kozinets, 2009 and 2015) and the rise of the broader fields of Digital Culture and Digital Humanities.
In the face of rapid technological, political and cultural change, which continuously re-shapes our understanding of heritage, there is the need to critically reflect on how we capture and research cultural heritage that is continuously mediated and/or re/constituted digitally. What are the challenges and implications of this research and how does it impact on different notions of heritage? For example, the emergence of digital cultural heritage spaces, objects and practices has prompted discussions about digital materiality; highlighted the ambiguity of digitally-born content as cultural heritage; and propositioned social media platforms and gaming spaces as meaningful research environments for emerging heritage practices.
The capacity of the digital to be both the focus and the method of cultural heritage inquiry raises both methodological and ethical issues in designing, conducting and analysing research in digital cultural heritage. If digital cultural heritage is “a field in which we practice as much as we analyse”, to borrow a phrase from digital ethnography (Pink, Digital Ethnography, p. 6), what does this mean for the methods we use and what kind of new imaginaries of heritage research do these methods enable?
Researching Digital Cultural Heritage proposes a critical examination of established and emerging theoretical, methodological and analytical frameworks in researching cultural heritage spaces, objects, audiences and practices in the digital realm. This includes both the impact that digital media have in developing new research methodologies and frameworks of analysis of cultural heritage; and the practice of researching digitally mediated or digitally constituted heritage objects, spaces and interactions and the environments in which this research takes place.
The conference aims to bring together established and early career academics, students, practitioners and policy makers from fields as diverse as museology, heritage studies, digital humanities, social anthropology, sociology, geography, education, history, archaeology, material culture studies, design, communication studies, cultural studies, media studies and computer science, who are interested in reflecting critically on research practices in digital cultural heritage.
We invite proposals for 20 minute presentations that focus and critically reflect on theoretical, methodological, ethical, or analytical approaches in researching cultural heritage in the digital realm. Indicative themes include:
- Current and emerging research design, methodologies, methods and tools in researching cultural heritage in the digital realm (e.g. digital ethnography, social network analysis, visual analysis, sentiment analysis, text mining, big data, data visualisation, digital archives, web and social media analytics)
- Digitally enabled collaborative, participatory and reflexive approaches in cultural heritage design, research and practice
- Ethical considerations and processes in researching digital cultural heritage
- Researching digital materiality in cultural heritage
- Researching social media and digital games as cultural heritage
- Researching audiences in digital cultural heritage environments
- Researching organisational strategies, structures, processes and workforce in digital cultural heritage
- Digital/online cultural heritage spaces as research environments
Deadline for proposals: Friday, 21 July 2017
Details about publication plans of conference papers will be announced in due course.
- Dr Kostas Arvanitis, University of Manchester
- Dr Areti Galani, Newcastle University
- Dr Guyda Armstrong, University of Manchester
- Dr Chiara Bonacchi, University College London
- Dr Shawn Day, University College Cork
- Dr Maria Economou, University of Glasgow
- Dr Jenny Kidd, Cardiff University
- Dr Stelios Lekakis, Newcastle University
- Bethany Rex, University of the Arts London
- Dr Mia Ridge, The British Library
- Dr Chiara Zuanni, Victoria & Albert Museum
- Dr Haidy Geismar, University College London
- Professor Sarah Kenderdine, École Polytechnique Fédérale de Lausanne (EPFL)
- Submission of proposals: 21 July 2017
- Notification of acceptance of proposals: 31 July 2017
- Registration opens: 1 August 2017 September 2017
- Registration closes: 15 November 2017
- Conference dates: 30 November - 1 December 2017
- Standard Registration Fee: £140 (£70 per day)
- Student Registration Fee: £70 (£35 per day)
Please note that we are also organising a free pre-conference research methodology workshop on Wednesday 29th November. This targets PhD students, but places will be made available to other conference attendees too. More information about this will be announced early October 2017.
Delegates are asked to make their own arrangements for accommodation. We recommend that delegates book their accommodation as soon as possible to avoid disappointment, and that any queries after the conference regarding accommodation are directed towards the hotel. Below are some accommodation recommendations. All but one are ca10-20min walking distance from the Manchester Museum and the University of Manchester.
- Pendulum Hotel, Sackville St, Manchester M1 3BB
- Ibis Manchester Centre, Charles Street, Manchester, M1 7DG
- Ibis, 96 Portland Street, Manchester, M1 4GX
- Premier Inn Manchester Deansgate Locks, Medlock St, Manchester M15 5FJ
- Holiday Inn Express, 2 Oxford Road, Manchester, M1 5QA
- Travelodge, 227 Upper Brook Street, Manchester, M13 0HB
- Innside, 1 First St, Manchester M15 4RP
- Jurys Inn Manchester, 56 Great Bridgewater St, Manchester M1 5LE
- Chancellors Hotel, Chancellors Way, Fallowfield, Manchester, M14 6ZT, United Kingdom (1.8 miles from the Manchester Museum)
Conference email address: firstname.lastname@example.org